Theory Jazz
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  Jazz Musicians - Count Basie


Swing was the sound of William “Count” Basie for more than fifty years. At the keyboard, his spare yet exuberant style has been widely imitated. On the bandstand, he was the first to bringCount Basie the jumping rhythms of Kansas City to a national audience. William James Basie was born on August 21, 1904 in Red Bank, New Jersey, and died on April 26, 1984. His father, Harvey Lee, worked as a coachman and caretaker for a wealthy family. His mother, Lillian Ann Childs, was a cook and laundress. It was she who first encouraged him in music, and gave him his first lessons on the piano. Young William developed into a confident and eager musician. He picked up the drums, then dropped out of junior high school to play at silent movie houses. By age twenty he was in New York, where he mingled with the creators of the Harlem stride piano style, including James P. Johnson, Willie “The Lion” Smith, Don Lambert, and a character named The Beetle. Basie left New York to tour on the Theater Owner’s Booking Association (TOBA) vaudeville circuit with shows such as the Gonzelle White and Her Big Jazz Jamboree show. The show landed in Kansas City, where he discovered a different flavor of the blues, far from the urbane sophisticates he had idolized in Manhattan. He died in Hollywood from pancreatic cancer on April 26, 1984, having established his name in the pantheon of jazz royalty, for which he received numerous awards, including multiple Grammys, Hall of Fame inductions, and a Kennedy Center Honor in 1981.

   
Miles Davis
Kind of Blue


In the liner notes to Kind of Blue, pianist Bill Evan (who plays piano on the album) compares the music to a spontaneous and disciplined form of Japanese visual art. The simplicity and minimalist touch of this landmark recording are perhaps what allow the musicians to paint pristine pictures and achieve such a meditative and contemplative mood. Each member of the group comes from a different musical background, and yet the result is a unified work of beauty that every jazz musician or listener must own.

Freddie Hubbard
Open Sesame (Blue Note)

Freddie Hubbard’s searing lines and juggernaut sound have made him the model after which most trumpet players shape their approaches to the instrument. Soulful and groove-oriented, this early Hubbard recording is the door through which his fiery playing burst into jazz.

Jazz Musicians

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